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Tuesday, 7 April 2020
[Poem] Ekphraistic Poem
Saturday, 4 April 2020
[Poem] Dreamscapes
Monday, 23 March 2020
[Book Review] Nithya Rajagopal's Than-Thana-Thom

Than-Thana-Thom, a book of four short stories by Nithya Rajagopal is an amazing little book on Amazon Kindle.
The highlight of the book is how Nithya has created characters that stand out and stay with you long after you have finished reading the book. The second highlight is her felicity with enunciating the local flavour of Tamil Nadu through her language and through her focus on customs and traditions that are typical to the state.
The stories are peopled with interesting main and supporting characters and Nithya has carefully chosen appropriate settings to showcase them.
Each of these stories holds a secret which leaves the reader in a 'feel good' factor state after the unraveling. To say anything more would be a spoiler and therefore I would stop with one line descriptions of each of the stories.
The Idiot of Arayapatti is a story of promise and discovery.
The Pious Priest is a tongue in cheek title and is my favourite.
A Wedding in Kovilpatti unfolds a surprise wedding.
Flower Factory is an endearing tale.
I wish Nithya the best in her writing journey and eagerly look forward to more of her writing.
Tuesday, 10 September 2019
[Short Story] Eros
Eros
Thursday, 30 August 2018
Poem] Summer Sun
| |||
Jaunts across the earth
All day and part of the night
Leeching water from every pore
Parched throats clamour for refill
Dust storms rise
False rain mists dusty windows at night
I am a tortoise in a shell-
Through drooping lids I dream
Of a balmy breeze
Lacing its Spring fingers through my hair
The flowers compete
Waging a war of scents
Plaguing every sense
Pathways glow
With soft petals of every hue
The bees sing and dance in a ring
No fear of a sting
The leaves sport all shades of green
As they preen under a gentle sun
The rising dew sprinkles generous droplets
Over petal and leaf goblets
Children play all day
Their voices bouncing on the green
And laughter springs from every swing
If only
All of earth had Spring and only Spring
Wednesday, 25 October 2017
[Poem] On killing a Tree
So, they fell like leaves
In the sadistic Storm
The men the women the children
Swaddling babies
Captured by deceit, coercion
Smoked out of hideouts
Caught before they could flee
The branches, leaves of the Ethnic Tree
Bundled into trains
Carted off to feed
Every burning pyres
Or flogged
Till backs broke,
Spirits and bodies fell-
Pell mell
Their belongings piled
Mounds upon mounds
of suitcases, footwear,
Clothes, toys --
Rotting leaves
Awaiting release
Brutality
Has fancy names
Genocide, Ethnic Cleansing
Attempts made time and again
To expose, exterminate, expunge
Entire communities
Yet,
There is Survival
Revival.
Return.
So, it is never done.
On Killing A Tree
#KaafiyaMilao
Saturday, 12 August 2017
[Poetry] Picture Poem
I will walk into the tide
Break and fall upon the waves
One by one I have undone
my hold upon the world
The world is a blue void
The sky above the sea below
The sand sinks softly under my feet
Soothing calluses earned
From thorny pathways tred
The sea would fall
Caressing, lavaging the pits
And undo it all
The world is a blue void
Hearts with love devoid
Man, a trampling humanoid
With every fall
No hope at all
The race is lost
Before the start
The relentless waves
break hard against the shore
With a vigorous uproar
The sound and the fury
Of infinity
The salt from my tears
Blend with the spray
I blend a finite life
Of petty woes
Pitiful throes
I find my peace
I find my cure
In this azure eternity
Thursday, 10 August 2017
[ Short Story] Afternoons in Childhood
Amrit threw down the pencil in frustration.
Doing fraction sums on a half-empty stomach upon a Sunday afternoon was neither easy nor desirable. His textbook lay open to a page of problems that seemed designed less to teach mathematics than to punish children for existing. Three-sevenths plus two-fifths. Find the common denominator. The common denominator, he felt, was misery.
His stomach growled- a long, theatrical rumble, the kind of sound effect his body produced when it wanted to remind him that principles had consequences.
He should not have protested so strongly about the beetroot curry. The protest had been righteous - beetroot was purple and tasted of earth and had no place on a plate that contained rice. But righteousness, he was learning, did not fill your stomach. He had pushed his plate away with the magnificent disdain of a boy who believed his mother would eventually cave. His mother had not caved. His mother had said, "Fine. Go hungry." She had said it with the terrifying calm of a woman who meant it.
He crept into the kitchen to see if the plate was still there. His mother sometimes left it covered on the counter, knowing he would return, occasionally adding an enticement — a papad or a small bowl of sev. But today the counter was wiped clean. The plate had been cleared. Even the sev jar had been put away on the top shelf, which was his mother's way of saying: I am way beyond angry with you.
He tiptoed to his parents' bedroom and pressed his ear to the door. The steady, nasal drone of his father's snoring confirmed that the Sunday afternoon shutdown was in full effect. His mother would be beside his father, reading or dozing, and would not surface for at least an hour. The house was his.
He wheeled his bicycle to the elevator, carefully, silently, lifting the front wheel over the door frame so it wouldn't thump, and pressed the button for the ground floor. He lived on the fifth floor of a nine-storey apartment block, and the elevator smelled, as it always did on Sundays, of someone's sambar.
Outside, the backyard was deserted. The summer sun sat directly overhead like a headmaster presiding over an empty assembly hall, daring anyone to step out. The heat rose from the concrete in visible waves. Not a single friend was about. The swings hung motionless. The cricket stumps, three stacked bricks, stood abandoned near the compound wall.
The only living creatures were the crows. They waddled about near the overflowing dumpsters, pecking at scraps, their feet sinking into the soft, sun-warmed earth. They moved with the unhurried confidence of tenants who paid no rent and feared no landlord.
Amrit chased them on his bicycle. They rose in a furious, cawing cloud, some wheeling away, others diving back threateningly close to his head, as though personally offended by his existence. He passed the dumpsters. The crows resettled behind him the moment he passed, like a door swinging shut. He grew tired of this. Even the crows seemed bored.
He circled the building slowly, shading his eyes with one hand, scanning the balconies of the monolithic column above him. On the third floor, someone's laundry hung motionless in the dead air. On the sixth, an old man sat in a plastic chair with a newspaper over his face. On the seventh, a woman watered plants mechanically, unmindful of the water spilling to the ground below.
No friends. No activity. No hope.
And then, carried on a current of hot, still air, a delightful smell reached him.
Potato bhajjis. Frying in oil.
The smell hit his empty stomach like a fist. It was the smell of sliced potatoes dipped in besan batter, spiced with chilli and ajwain, fried to a perfect golden brown. It was a smell that could make a boy on a bicycle stop pedalling, close his eyes, and forget, momentarily, every grievance he had ever had against the universe.
The hunger he had been holding in abeyance surged back.
He took a couple of slow, listless laps around the building, tracking the smell the way a dog tracks a scent, noting where it strengthened, where it faded, narrowing it down. Fifth floor. Left wing. Vipul's flat.
He hesitated. He could go home. His mother might have softened. She might have left a plate out after all, guiltily, silently, the way mothers do when they regret being firm but cannot bring themselves to say so.
Or she might not have.
He made his way irresolutely toward the elevator, pressed five, and stepped into the corridor. He parked his bicycle against the wall, not outside his own door, but outside Vipul's and rang the bell.
Lalitha Aunty opened the door. Her right hand was caked with besan flour. Behind her, at the dining table, sat Vipul, Amrit's classmate, neighbour, and closest friend, his cheeks bulging with bhajjis that had been stuffed into his mouth in desperate haste after he heard the doorbell ring.
Vipul glared at Amrit. He shook his head vigorously, a furious, emphatic, bhajji-cheeked Nooooo that communicated, with the eloquence of a silent film actor: Go away. This is definitely not a good time. I do not want to share. Leave now.
Amrit ignored him entirely.
"Aunty," he said, turning to Lalitha with THE smile, the smile he had been perfecting since he was four years old, the smile that worked on mothers, grandmothers, teachers, and anyone else he wanted to impress, the smile that contained just the right mixture of politeness and charm, "I wanted to see if Vipul could come out and play?"
Lalitha Aunty looked at the boy, the smile, the sun-flushed cheeks, the slightly too-casual posture.. She was a mother. She recognised the manoeuvre. She had probably executed a version of it herself, many years ago.
She stepped aside and waved him in.
Amrit walked past Vipul, whose expression had progressed from outrage to despair, and sat down at the table with the quiet satisfaction of a general who has taken a city without firing a shot.
He had been right about the smell and the house.
Lalitha Aunty placed a plate of hot bhajjis in front of him. He picked one up, bit into it- the crunch, the soft potato inside, the heat of the chilli blooming on his tongue and chewed slowly, eyes half-closed, while across the table Vipul watched him with the impotent fury of a boy who has just had his pleasant afternoon snatched from him.
Amrit, however, froze over his second bhajji when Lalitha called from the kitchen, "I'm calling your mom to let her know you're here, in case she's worried..."
Thursday, 13 April 2017
[Poem] The Woman in the Woods - An Ekphrastic Poem
Her soft humming echoing in the dusk’s stillness
A forest nymph swathed in green georgette
Hiding her long lustrous hair in a tight oiled coil
I lost myself at the brink of the deep swirl of her liquid eyes
Evocative, their power moated by kohled rims
She plucked a hibiscus and struck it absently in her hair
I knew it would remain there
Secure – much like her fastened thoughts
The stark vermillion mark on her forehead
Was it there, to ward off advances
Or was it a symbol of her own confinement?
Even the modest beads swinging from her ears and neck
Shone in borrowed glory
Yet, the downward curl of her lips,
Invaded my aesthetic ruminations…
I drew closer.
Life had visited you Time and again -
You bear its marks
The angry red streak on your forehead, perhaps sustained from a fall
Your cheeks roughened by vicious assault
Yet you go on
Defiance burns in your eyes
And in the firm set of your lips
Life’s attempts to break you fail
You fight back
And sport with the dragon flies
Saturday, 11 March 2017
[Poem] The Curse of Modernity

This poem was written in response to a contest conducted by Dr Saantosh Bakayya, who took the above picture. It was declared as a winning entry along with four other poems, in the literary group The Significant League.
Please click on this link to hear the audio recording of the poem
https://soundcloud.com/bhuvaneshwari-shankar/the-curse-of-modernity
When did my world begin to change?
Frozen in a dizzying time warp,
I stand nailed to the ground
Feeling a a giant train blast through me
Littering my world with alien debris
The television came
With it, the advertisements
That bid to change with the times
Oh! the relentless bombardment
Day after day
Bewilderment
Day after day
Watching shadows, I could tell the time
Unlearnt it - to own a watch
My spun cotton no longer trendy
I spend a better part of my earning
On clothes that no longer fit
In pantaloons badly stitched
The local grocer changed his ware
Traditional was passe
Potato silvers, biscuits, soft drinks in the display
We ate that too, because the advertisements told us to
The rich own the world
They always do
They get the best slice of the consumer pie
We get the crumbs
And call it nectar
All this talk of organic farming
But we have always been organic
Till the pesticides came on the scene
Our water ways on the verge of pollution
The village air
Toxin free for now
I dread the sick world
Which is my child's inheritance
The local shaman has been shamed
By men in white coats
He has not the wherewithal
To fight diseases of the modern world
The city - a tantalizing temptress beckons
Dimmed- the senses lie, in the bright lights
But I have come not to drown in her pleasures
Disease is a demon at my back
And, I have come gathering all that I ever owned
Fear compels, so does hope for a death postponed
The giant shark waits
Its mouth wide open, fangs exposed
It swallows all
And hungers for more
My money, my dignity, even my footwear
My life is a study in despair
I await the word of the shaman in a white coat
Little realizing that he is but a sham
I squat here my defilement complete
In a shabby road unkempt
The corporate shark has sucked
My life's blood
Barely have I, anything left
for a meal or even a bottle of water
A hotel stay is but a pipe dream
All around me vehicles blare and hurry past
Men and women move fast
Hurrying towards something
I am all alone
In a loveless world
Shorn of everything
I squat in the filthy street
Dreaming of the green fields back home
Friday, 3 March 2017
[Poem] Temptress- A Feminist Reading
The Virgin and the Temptress
Have always been here
Since Creation
Born and reborn in myth
Only, the Temptress
Siren Eve, Shurpanaka,
Time and again
Reinvented
She is a courtesan
A dancer, musician, an entertainer
The temptress today
Unveil her many graces
In celluloid
As voyeuristic cameras
Explore her in the minutest detail
Men will of course call her a goddess
worship her in the silver screen
Yet
Gape at her posters
Salivate in private
Call her
Unfactually
Unfaithful
Neither goddess nor nymphet,
She is
A mere puppet
In the (film) Maker's hand
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